For me, painting is a process. It is in essence a conversation, if you will, in which I engage with Nature, my subject: I behold Nature and then provide a response in the language of paint.

The response itself is multifold: it is a confirmation of what I know about the visual world and may not see; and then conversely, the response itself is a probing, questioning and evaluation of what it is I think I am seeing. In short, I paint what I know and I paint what I see.

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